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The pass on, of Edgar Allen Poe’s young bride instilled in him a rich bitterness witnessed by his many writing. However, his resentments are more profound in his poem “Annabel Lee”. Written in 1849 and published the same year, only two days after the death of Poe on October 7. It immediately featured in the newspapers, the Richmond Examiner and the New York Tribune, which later appeared in the 1850 edition of The Works of the Late Edgar Allan Poe. To this end the poem has gained ground as Poe’s most popular works amid many poets of the century. Using a musical description figure, the narrator laments the pass on, a long time ago, of his dearly loved juvenile bride Annabel Lee. His loss moves him to utter that spiteful angels affected the girl’s pass on to “dissever” (detach) the youthful wedded couple. He narrates in a few words of her memorial service and committal “in her sepulcher … by the sea.” The “chronicler” then unfolds that he has been incapable to agree to their disconnection (Postema, 2010, p. 68-76).
Ever since her death, he has exhausted every night at her burial place, an astounding and wicked example of the immortality of juvenile adoration. Lastly, Poe’s bring into play of a “recipe” of anapestic and iambic gauge, by the side of a lyrical enunciation that creates a pixie romance. Similar to dominion, he connects himself and his love that makes the reader of Annabel lee figure out and pictures the lasting adoration and creates a prosaic work of art that bring the sure meaning of love. The illustration invoked by this limerick poem is of lasting adoration (Postema, 2010, p. 68-76). Both this never-ending adoration and the wrapping up of the poem run off the orator lying on the grave of his deceased wife.